Mixing “Monday Night Mistake” pt. 1 – Drum Sounds

I agreed to mix a rock song for my buddy Frank Tierney.  Tonight is the first night I’ve worked on it.  Right now I’m plugging the drum part into my Steven Slate Drums sample library to find the right drum kit for the feel of the song.

impossible_absolute_rock

impossible_all_american

impossible_big_fatty

impossible_chunky_rock

impossible_cla_hybrid

impossible_crisp_rock

impossible_deep_rock

impossible_fat_radio_rock

impossible_modern_rock

impossible_slates_hybrid

I really like the Absolute Rock, Big Fatty, Chunky Rock, and Deep Rock kits for their big, boomy toms.  The All American kit didn’t quite have enough of that low end for my taste.  Something like the Crisp Rock kit might be a good compromise, though.  Still has those ballsy toms without being overbearing in the the low-mid range.

Give them a listen and leave your opinion in the comments!

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Looping session turned remix?

Sooo I was in the process of figuring out how to live-loop the bits and pieces of Lunar Sunrise within Ableton Live tonight. I was too lazy to plug my bass and guitar in, so I pulled up some virtual instruments in Ableton and jammed out with them. Next thing I knew, I had turned the organic, expansive sounding Lunar Sunrise track into an electronic re-imagination.
What does this mean for Ian C. Anderson music? Am I going to follow-up Perennials with an electronic remix album? Am I going to play my original songs live with an electronic twist? Or will I dismiss this idea tomorrow when I’m not tired and my ears are fresh? Only time will tell…

Posted in jams, live looping | Tagged , , , , | 8 Comments

Email Marketing with Mail Chimp

Mail Chimp is an online tool for email marketing and email list management. I recently created an account in order to manage email list for my “fans.”

Why? Because many of my fans won’t actively read my blog or visit my website without a little nudge. But they all check their email. Sending an email is really the only guaranteed way to get their attention, even if you only hold their attention long enough to delete your message. Hopefully they get to the subject line before deleting it!

I have to be very careful in how I go about doing this email marketing. If not executed correctly, an email newsletter can be viewed as useless spam, in which case it’s doing more harm than good to your personal or corporate brand.

I listened to a podcast interview on CD Baby with the lead guy from “I Fight Dragons.” They have a fairly successful email campaign to promote their new music, videos, and shows. One of his main points was that, in order for people to actually read (and maybe even appreciate!) your emails, you have to much sure you give them a gift in EACH AND EVERY email.

What kind of gift, you may ask? The “gift” can range from a free song/album download to a discount code, or even just a cool new YouTube video. The point is, you’re delivering them valuable content, not just saying “I’m still alive and here’s what I’ve been doing.” Everyone is fighting the same fight to keep their inboxes clean, and if you don’t show them that your emails provide them with valuable content, then their cursors will be pointing closer and closer to that “Unsubscribe” button after every mediocre newsletter.

Some gifts I’m considering for people who decide to receive my emails:
YouTube videos
Free song downloads
Download codes and coupons

“Permission marketing” is a term coined by Seth Godin, an extremely smart man who’s been writing business books for the past decade or so. It’s pretty self-explanatory – only market to those who have given you permission. He describes it as a two-step process – make friends out of strangers, then make customers out of friends. The opposite of permission marketing is called interruption marketing, in which case content is thrown at you against your will (such as when you’re automatically signed up for an email newsletter).

Just because someone opts in to your email list doesn’t mean that they will let you abuse that power, however. That’s why I plan to keep the email campaigns relatively sparse (I’m thinking monthly, with twice a month being the maximum).

What do you think about email campaigns? At what point do you allow a musician (or company, artist, celebrity, etc.) access to your email inbox via a subscription? What kind of gifts would you want in an email newsletter? Leave it in the comments!

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Pledge to me, I’ll pledge to Haiti

I’ve decided to pledge to the Haiti cause, specifically to the Doctors Without Borders cause.

As many of you know, I’m currently accepting pledges, via kickstarter.com, to help with the costs of producing my first album.

The amount that I’ll pledge to Doctors Without Borders will be 75% of the kickstarter pledges that I get over the course of the next week, (starting right now and ending next Thursday at 11:59PM).  For example, if I receive $100 worth of pledges between right NOW and January 21st, 11:59PM, I will pledge $75 to the cause on Friday, January 22nd.

Make your pledges here:

http://www.kickstarter.com/projects/IanCAnderson/ians-debut-album-ep

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Day 0 of #ica2010album : Drum Sounds

Today (technically yesterday now..) I started the process of salvaging my (rather poorly) recorded drums from a few years ago into separate MIDI tracks. Reaper makes this process easier with a JS plugin called drumtrigger – it takes an audio signal as an input (such as a snare drum track), and outputs a MIDI note with a velocity that’s proportional to the intensity of the snare hit. I then route the MIDI notes to my Steven Slate Platinum sampled drum library to get some radio-ready drum sounds right off of the bat.  I also put down a quick take of piano using Kontakt 4’s sampled grand piano.  Take a listen to the excerpts before and after the kick, snare, hi hat, and piano were replaced by their virtual counterparts:

2009.12.07.Hopes.Up.High.pre.SS.Drums.mp3 2009.12.07.Hopes.Up.High.post.SS.drums.mp3
Posted in works in progress | Tagged , , | 1 Comment
  • <a href="http://music.iancanderson.com/album/perennials">Lunar Sunrise pt. 1 by Ian C. Anderson</a>